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Grateful Dead Live at Fillmore East on 1970-02-11




Partial Late Show

01. //Cold Rain & Snow >
02. High Time
03. Me & My Uncle
04. Dark Star >
05. Spanish Jam >
06. Turn On Your Lovelight

Encore
07. Uncle John's Band


Collection GratefulDead
Band/Artist Grateful Dead
Venue Fillmore East
Location New York , NY

Source Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3
Taped by Chuck Reynolds
Transferred by Bill Gadsden

Notes

Notes:
- Aud taper and equipment unknown.
- CR&S cuts in just before the solo.
- Some level adjustments were made.
- Very light equalization was applied to boost the mid's and moderate the low end.
- Cool Edit Pro was used to perform all edits.
- EAC in secure mode, offset corrected; Encoded to FLAC level 8 via Trader's Little Helper.
- Thanks to Joe B. Jones for his help with pitch correction.

Background Notes:
In 1973 Bill Gadsden acquired several reels belonging to Buddy Miller, among them were the three reels comprising the complete 9/20/70 Fillmore East show. which Bill digitized and circulated in 2000. The 'A' side of this particular reel contains the portion of 9/20/70 from Big Boy Pete to the "undamaged" portion of Caution. The 'B' side has an audience recording of a portion of Cold Rain and Snow through the end of the 2/11/70 Late Show in the left channel and portions of 6/24/70 Late Show in the right channel. Bill remembers listening to 2/11/70 and possibly 6/24/70 back in 1973 when compiling the complete 9/20/70 show, but the reels remained shelved for over 30 years, until recently. It is altogether possible that Buddy Miller taped the shows using his reel to reel deck that took 5" reels, but he does not remember. Until such time as more details arise, the taper remains unknown. During the analog to digital conversion, the single channel recording was dubbed, making it a two channel mono recording.

- Chuck Reynolds, May 2009

Reviews

Reviewer: thelegroom - - May 19, 2009
Subject: The Meat is Here!
Thanx Chuck and Bill. Great raw and crunchy sound. Do not pass this up. Dark Star is quite different from the masterpiece performed 2 nights later. Lovelight, with the additional musicians, is quite the romp. Just wish we could hear the opening NFA and Cumberland. I am playing Uncle John's on my radio show this week. Peace
Reviewer: SkyDawg - - May 19, 2009
Subject: One For The Ages
I have been long familiar with this show, but upon hearing this AUD recording I feel almost like I'm hearing it for the first time. Don't be alarmed about the mono source, it sounds just fine! The best part about this recording is the appreciation you get for the parts all the guests played during the epic Dark Star Jam>Spanish Jam>Lovelight sequence. Peter Green, Gregg & Duane Allman, Danny Kirwin, Butch Trucks and Berry Oakley all lend a hand to the all-star lineup and still manage to sound pretty tight. This is one for the ages, and a mandatory download for fans of the show.
PEOPLE ALSO FOUND
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Source: Updated
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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554
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: dave homes dat master;
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Source: FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
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Source: Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone;
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Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz